Automated dubbing has become good enough to ship, provided you treat it as an editorial process rather than a one-click transformation.
Step one: a clean transcript
Fix names, technical terms and crosstalk before translation. Errors at this stage propagate into every language downstream and are far harder to correct later.
Step two: translate for length
Literal translation changes sentence length, and the dub then drifts out of sync. Translate for meaning, then read it aloud and trim until it fits the original timing window. This is where most of the work sits.
Step three: voice selection
Clone the original speaker where consent allows, or cast a voice that matches register and pace. Matching energy matters more than matching pitch.
Step four: check the details
- Numbers, dates and units read correctly in the target language.
- On-screen text translated separately — it is not part of the audio track.
- Lip sync acceptable at natural viewing distance rather than frame-perfect.
Disclosure
Label synthesised speech where required. Audiences tolerate dubbing; they react badly to discovering it was hidden.
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