Editorial image generation works when it is treated as a production pipeline rather than a creative slot machine.
1. Write the brief as an art director would
Specify subject, framing, lighting, mood and what must not appear. Vague briefs produce images that need re-briefing, which costs more than writing it properly the first time.
2. Generate a wide first pass
Produce a dozen cheap variations before refining anything. The purpose of the first pass is to find a direction, not to finish an image.
3. Select on composition, not detail
Choose the candidate whose layout serves the page: room for a headline, subject not centred under a crop, tonal separation from surrounding elements. Detail problems can be fixed; composition problems cannot.
4. Edit in a real editor
Colour correction, cropping and any text addition belong in your normal tooling. Generated images almost always need toning to match a page.
5. Keep a consistent look
Use style references so a series reads as one set. Consistency across a section is more valuable than any single striking image.
6. Record provenance
Store prompt, model, date and editing steps alongside the asset. This takes a minute and answers the question that will definitely be asked later.
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